This page is currently under development; several editorial books will be presented soon…
I create artist books to amplify the conceptual depth of my projects and to extend the scope of my performative practice. Beyond the creation of the final, unique work, there exists an entire process of exploration, documentation, and immersion. These books serve as both a daily reflection and a technical archive, honoring the subject while preserving the ephemeral gestures, insights, and transformations that form the essence of the work.
Prana
À la recherche de la Femme Faunique
(2023–present)
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Written in an intimate, domestic space as part of a larger research on the faun-woman archetype. Composed of over seventy pages, the book unfolds as a series of meditations on the body, its rhythms, its instincts, and its relationship to the feminine and masculine experience and the summer season. The binding of this book was handcrafted by artist Keenan of Relieur du Faubourg from Montreal.
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Suspended between intuition and reflection, the manuscript becomes a space of inquiry where the body is both subject and guide, an organic terrain through which identity, nature, and feminine power are continuously redefined.
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The space this book occupies has become so vast that my relationship to the forest has turned integral...each step, each sound merging into the act of creation itself. The rhythm of the living world seeps into the writing, dissolving the boundary between environment and gesture. Rooted in a sensorial and symbolic exploration, Prana navigates the figure of the wild woman: how she can be embodied, represented, and transmitted through image, language, and presence. Drawing from mythological and archetypal figures such as Artemis, the muse, and Gaia, the text weaves together inner landscapes and ancestral memory.
Atramentum (2024)
The concept of Atramentum emerged from an opportunity (which ultimately led me into a mirage, a false reality … a parallel drawn in ink that seems so eternal, yet in truth dissolves with our own body, with time, and with light) with tattooing and the essential role of ink. In Latin, “atramentum” means ink, without it, a tattoo cannot exist. Beyond this, without ink, digital photography cannot be fully realized in print. The two mediums are intimately linked through the fertile idea of ink: its presence, its materiality, and its capacity to leave a trace… the mark that ink leaves in our lives. La trace que ce projet a laissé dans ma vie…
Within this series and its accompanying book, the act of burning becomes significant, generating ashes that carry both metaphorical and physical weight. From this emerged the performative gesture of tattooing my model, without a preconceived design, without technical mastery of tattooing, allowing the act itself to shape the work. In this process, my hand became the printer, transferring ink and intention directly onto the body. This unplanned, exploratory act transforms the body into a living canvas, where ink, photography, and performance converge in an intimate, ritualized encounter.
Final intuitive tattoo, without ever having tattooed before, my hands (the printer) shaped this abstract form.
The images are taken from the video documentary (2023–2024).
Analysis of coagulation in relation to ink and the tearing of the skin. In parallel, when we print a photograph, the image that settles manifests in much the same way…
I tattoo from above; I feel the trembling of the leg, the texture of the skin, the pain, the breath shifting. In that moment, the present transforms into a kind of capsule suspended between suffering and release.
A Sunflower Whisper (2025-2026)
This book is an artefact created to accompany a work conceived for a private collector. From the initial act of intention, through ritual, to the exploration of her identity as a woman, it emerges from a dialogue between the collector and my artistic vision.
Conceived as a parallel body of work, it documents the full creative process surrounding the piece. It traces the impact this process can have on another, recording both the lived experience of my client… who became at once model and collector.
Moving between inner and outer perspectives, the book reflects on transformation, presence, and the unfolding of the image. It captures the gestures, the moments, and the states that precede and shape the final work.
This unique book becomes a trace of the passage between the creative process and the final (private) artwork. It stands as a lasting witness, an extension of the work itself, preserving what would otherwise remain invisible…
The binding of this book was handcrafted by artist Keenan Poloncsak of Relieur du Faubourg in Montreal, further extending the work into a tactile and material dimension.
